How Agatha Christie’s mid-century ‘manosphere’ reveals a different kind of dysfunctional male

Agatha Christie, a middle-class English crime writer who preferred to be known as a housewife, is the world’s bestselling novelist. Since her death in 1976, her work has been translated into over 100 languages and adapted for cinema, TV and even video games.

Her writing is characterised by its cheerful readability and ruthless dissection of hypocrisy, greed and respectability. Christie is fascinated by power and its abuse, and explores this through the skilful deployment of recognisable character types. The suspects in her books are not just there for the puzzle – they also exemplify the attitudes, ideals and assumptions that shaped 20th-century British society.

Christie’s men

If we want to know about the mid-century “manosphere”, then, there is no better place to look than in the fiction of Agatha Christie. What did masculinity mean to this writer, and would we recognise it in the gender types and ideals of today? Some answers might be found through the recent BBC adaptation of Towards Zero, which confronts viewers with a range of dysfunctional male types.

Chief among these is Thomas Royde, a neurotic twitching figure driven to breakdown by the shame of having his word doubted. Gaslit by his pathologically perfect cousin Nevile, Thomas has been dispatched to the colonies, where he has...

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