‘Mukkam Post Bombilwaadi’ review: Extremely silly and occasionally funny
Paresh Mokashi’s Marathi comedy is out in cinemas.
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Paresh Mokashi, the humourist behind Vaalvi and Naach Ga Ghuma, has turned to his own play from 2001 for his latest movie. Mukkam Post Bombilwaadi is a crackpot comedy about a chapter of history that escaped the school curriculum.
In 1942, in the middle of World War II, Adolf Hitler finds himself in a village in the Konkan. Hitler, lovingly called “Addu” by his lover Eva Braun, has landed in Bombilwaadi while trying to get back to Germany from Japan. Hitler runs into highly excitable members of a theatre group, a theatre-loving and Eva-adoring British police officer and his relatively sensible Indian subordinate.
The stage is set for an incendiary comedy of errors that is always threatening to justify its premise and setting. But like the bomb planted by a pair of would-be revolutionaries that simply refuses to go off, the film doesn’t launch.
The 100-minute Marathi movie can’t quite shed its theatrical origins. Scenes of the actors goofing about and rattling off dialogue at high volume might have been hilarious in a live performance, but they don’t translate into a compelling cinematic experience.
Was the renowned stage performer Bal Gandharva actually a woman? Is Hitler’s toothbrush moustache real or fake? Extremely silly and occasionally funny, Mukkam Post Bombilwaadi stays miles away from edginess, settling...
