In Bangladesh, a concert shows how creative freedom could transform the beleaguered nation

Hasan, who was once one of Bangladesh’s most beloved and influential rock singers, made a long-awaited return to the stage on December 16, on the nation’s Victory Day.

The rock icon had been absent from the stage for two decades, largely due to his refusal to conform to the demands of the autocratic regime of Sheikh Hasina, which ended in August following a massive uprising.

Hassan’s return at the December 16 Shobar Age Bangladesh or Bangladesh First concert has sparked a wave of nostalgia and excitement, particularly after a viral video of him attempting to “fly” on stage, his arms stretched out like a bird at the start of his iconic song Jare Ja Ure Ja, Pakhi Tare Bole Ja – Birds, go fly away and tell her.

This powerful moment, shared widely on social media, has become a symbol of the cultural shift now sweeping through Bangladesh.

In many ways, this image captures the aspirations of a nation that, after years of political oppression, is finally free to spread its wings. The youthful energy and unrestrained joy reflected in Hassan’s performance represent a broader transformation in Bangladesh – a nation where the long-sought taste of freedom is now within grasp.

It speaks to how the youth, newly liberated from...

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